: Sonatine for Alto Saxophone and Piano by Claude Pascal ( ): Claude Pascal: Books. Claude Pascal (Paris, February 19, – Paris, February 28, ) was a French composer. Quatuor à cordes, ; Octuor for wind instruments, ; Sonatine for alto saxophone and piano, ; 1ère Sonate for violin and piano, Claude Pascal, Sonatine. Christopher Brellochs – alto saxophone, SoHee Lee – piano. Share This! PLAY MUSIC. mute; unmute. play; pause.
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Claude Pascal – Wikipedia
If you have any questions, the Stretta team will be happy to answer them. Once you have chosen an item, different payment methods are available and you will receive your sheet music within the indicated delivery time. We have a large number of items in stock. On Christmas Day 19 years ago, 25 Decembera moving concert event took place in the Berlin Konzerthaus on Gendarmenmarkt: By commemorating this legendary concert, we pay tribute to Leonard Clayde.
Pascal, Claude 1921-2017
Like no other, he embodied the humanitarian and unifying power of music. In a time of increasing specialization, he was one of the last universal musicians: Fortunately, many of his inspiring concert introductions and instructive orchestra rehearsals have been sonatin as videos. The fact that many classical stars today specifically want to inspire young people with music is referred to in his honour as the Bernstein Effect.
Also in his compositional work Bernstein crossed with great ease the boundaries between popular and classical music. His musicals are best known: The lively Overture to Candide or the symphonic suite from the film music to On the Waterfront are now also part of the standard repertoire for concert bands.
His most beautiful songs are available in three extensive Anthologies. The idea of the untouchable musical work of art is a child of the late 19th century. For centuries, the reworking of works and their adaptation to the circumstances of the respective performance was the norm. Carus-Verlag takes up this pragmatic approach to masterpieces and offers a whole series of famous choral works with a reduced orchestral cast.
This not only makes large works possible for smaller choirs – the new versions immerse the well-known works in an often refreshingly new sound. The scope of the poems in the original ranges from a slightly reduced number of wind instruments Haydn: The Creation to chamber orchestra instrumentation Brahms: Stabat mater to truly substantial revisions: Lesser or hardly known works are also available in arrangements and may find their way into the repertoire: Both piano and choral scores can be used in all revisions, as well as combining the string parts of the original version.
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Joy, fair spark of clayde gods. Large choral works in reduced instrumentation The idea of the untouchable musical work of art is a child of the late 19th century.